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News & Musings for Lou Cove and Man of the Year

Hip-Hop Flashback: Massachusetts Hip-Hop Archive

In the summer of 1984 I spent a day wandering the streets of Boston with my best friend, Pace. I was snapping pictures, taking in the vibe of a city full of contradictions - Shriners took over Downtown Crossing in their funny cars and funny hats. A homeless guy slept on a bench at the Public Library. A baby wandered into a magician’s street show. And the FloorLords popped, locked, and flipped the fuck out for a rapt audience at Faneuil Hall.

In 2023, those photos were added to the Massachusetts Hip-Hop Archive, included in the Folk Americana Roots Hall of Fame, and displayed as part of the Hip-Hop: Seen/Unseen public art exhibition, a carefully curated collection of early concert flyers and rare photographic archives from 1979 to the present, this mini-exhibition, nestled within the Dewey Square Plaza on Rose Kennedy Greenway.

It was just a summer day, bored in Boston, with a bestie. And yet something was in the air that day that still feels relevant all these years later. You never know what this moment will mean. Feel it if you can.

Return to Yesterday

One Sunday this past October, after months of being closed for renovations and installations, the Yiddish Book Center reopened to celebrate its new permanent exhibition, Yiddish: A Global Culture.

Although I live just a few miles from the Book Center, this was still something of a homecoming for me. The first time I walked into the Yiddish Book Center it was 1998, and I was visiting because I thought this curiously located repository would be of interest to my in-laws who were in town for the weekend. 

But it was I who was changed by the discovery there of a modern Jewish renaissance—one that had flourished right up until I was born, but which no one had ever told me about. The visit exploded my thinking about Jewish creativity and set me on a course that continues to this day. 

I wrote about the return as part of a larger piece about Yiddish exhibitions for the CANVAS journal Compendium.

Jewish Arts and Culture for Hope and Solace

Dear Reader,

Like you, I am horrified by the events unfolding in Israel and Gaza. First and foremost, we encourage everyone to send support to those in need. Jewish Funders Network has created this list of trusted NGOs that greatly simplifies this process. Charity Navigator also has a list of ways to help war victims

What have we seen? How is any of this remotely possible? 

The expression “man’s inhumanity to man” has resurfaced in my mind over and over again these past few days. And though the expression feels biblical, it is actually a line from the 1784 poem “Man Was Made To Mourn” by Robert Burns.

250 years on, a single line from a single poem about the plight of the poor is now a caution to us all to remember our humanity, and to speak out against injustice. It serves as a lasting reminder that while the innocents die and the warriors rage, the artists give voice to our values, and our suffering. 

They also stir our hope. 

Another biblically evocative poem, “Prayers for the Protection and Opening of the Heart” by Ya’akov Hakohen, translated by Peter Cole, attempts the latter:

May the Name send its hidden radiance
       to open the gates of deliverance
to His servants—and shine in their hearts,
which now are shut in silent darkness.

May the great King be moved
       to act in perfection and righteousness—
to open the gates of wisdom for us
and waken the love of old, the love of ancient days.

For those who feel only helplessness and grief, our creative community is doing what it can to provide solace and kinship. You’ll find some examples below, and we’ll share more as they will, surely, become available.

We stand with the people of Israel. We stand for peace. We have no illusions about our power to stop this unthinkable violence, but we believe in the transformative power of the arts to unite us when hope seems lost, and we pray that those in power heed the call: not just for protection, but for the opening of the heart as well. 

Zayt mir ale shtark und gezunt – stay strong and healthy.
Z”l – may their memories be for a blessing.

Lou Cove
Founder and President

More here:

https://bycanvas.org/2023/10/12/jewish-arts-and-culture-for-hope-and-solace/

Amid a Lack of Support, This Funding Collaborative Backs Jewish Arts and Culture

Some great coverage from Inside Philanthropy on CANVAS, a collaborative funding initiative dedicated to a 21st century Jewish arts + culture renaissance which we (miraculously!) launched in 2020.

It’s been almost seven years since the National Foundation for Jewish Culture ceased operations. The closure of NFJC, which had been supporting Jewish artists, writers, filmmakers, musicians and scholars since 1961, signified what many in the creative community were already painfully aware of: Philanthropists were not supporting Jewish arts and culture as they had in the past. 

These developments alarmed Lou Cove, a senior advisor to the Harold Grinspoon Foundation and founder of CANVAS, a Jewish Funders Network (JFN) collaborative that aims to create a 21st-century Jewish arts and culture renaissance. CANVAS launched in September 2019 and began making its first grants in March 2020, just as COVID-19 arrived in the United States.

Continues at Inside Philanthropy

Continues at Inside Philanthropy

An Open Letter To My Children Regarding The Commencement Of Asynchronous Parenting

As we have learned from your teachers, we no longer need to have an in-person connection to confidently advance your development. The essential lessons of life, and the accountability we seek, are now available to us all through a suite of freely available apps. Regardless of our location (we’ll be on Martha’s Vineyard next week, by the way), you can be certain you are being cared for.

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A Message to America: Let’s Make Colbert Sexiest Man Alive

By Lou Cove

Steven Colbert recently claimed that he was People Magazine’s Sexiest Man Alive, a poke at POTUS for claiming election victory when the truth said otherwise.

Among other outcomes, Colbert’s bit drew everyone’s weary attention back to the annual celebration of masculine unattainableness that is the Sexiest Man Alive (SMA) award.

Recent prime rib select cuts include Chris Hemsworth, David Beckham. Dwayne “The Rock” Johnson. Idris Elba, and John Legend. (I left out Blake Shelton, Mister 2017, because height -- 6’5”! --and jawline notwithstanding, he’s sort of a regular guy, isn’t he?)

 But these other gentlemen are walking deities: unattainable celestial beings who now set the standard for We the Poor Schlubs. 

Mel Gibson was the first Sexiest Man Alive. That was in 1985, long before he revealed his inner ugliness. 

 Mel was followed by a parade of chisel and chin: Tom Cruise, Brad Pitt (twice), George Clooney (twice), Johnny Depp (twice). Were there really no other men sexy enough to make the grade? Of the 34 awards to-date, I count 29 winners. And until 2018, only one was an American of color - Denzel (SMA 1996).

But there was a time when male sexiness wasn’t all about physical perfection, which is just one of the many reasons Colbert’s false claim was cathartic...

It brings me back to glory days of the 1970s when that cover wouldn’t have been impossible. It was a time when men could be just a little more normal, and still be considered attractive for their whole being. I’m thinking specifically of July, 1974, when I was an impressionable 8-year old. Telly Savalas was rocking the cover during his Kojak heyday.

And baby, he was beautiful.

Let us meditate on the absence of muscle-tone... the gloriously un-groomed body hair... the flaccid nipples.

Telly’s a handsome guy, don’t get me wrong. And he nearly singlehandedly made bald badass (apologies to Yul Brenner). This guy was so confident in his own skin he puffed Tootsie Pops instead of Pall Malls and made Kojak crush as The Lollipop Cop ratings juggernaut. 

The interview behind this legendary cover opens this way:

With his icebreaker nose, insatiable eye, buccaneer grin and a gleaming skull that invites the stroke of a pool cue, actor Telly—for Aristotle—Savalas sees no point in denying the obvious. When asked why his CBS series Kojak has now clambered over All in the Family to become the top-rated show on television, Telly is matter-of-fact and fast with an answer: “It’s me. I’m the kind of gorilla people can identify with.”

Telly was 52 when he bared it all for People. The image is of a man utterly at ease in his own aging skin. The bling commingling with chest fur reminds me of my Grandpa Sam on casual Sundays when the weather was too warm for his velour sweatsuits. Just a guy, absent the self-consciousness of six-pack dreams.

Of course, women have been familiar with the phenomenon of impossibly-idealized-form-in-your-face for far longer than men have. But mainstream media started catching up with us in 1985 and it’s been a pumped-up arms race ever since.

My 19-year old son, named after my velour-clad grandfather, has used much of his pandemic imprisonment to work out and buff up. He’s strapping, and he feels better, emotionally as well as physically, when his blood flows and his sweat runs.

But he complains that the washboard stomach isn’t coming fast enough.

I want to have a Telly T-shirt made for him, just to remind him of what’s possible. But then I realize: that was possible in 1974.  Grandpa Sam might keep the sweats zipped up today, even if the temperature soars. 

But here’s a case for Colbert: On November 6, he gave one of the most powerful monologues of his career. It wasn’t funny, it was tearful and it was determined. He demonstrated some of the most important ways in which being a man can be sexy: he spoke truth to power, stood up to injustice, and wasn’t afraid to betray painful emotions.

That’s so much more important than Bobby Maximus’ ab-smashing workout or Lenny Kravitz’s guide to immortality. (JESUS, Lenny. You make the rest of us middle-aged Jewish guys look horrible. We’ve had enough atrocities to contend with without you defying the laws of physics. Ugh. See what I did there? Already falling prey to the injustice I’m railing against.).

So let’s give American Democracy and true masculinity a second chance. Let’s all vote Steven Colbert Sexiest Man Alive this year, just to make the point: it ain’t the abs, it’s the emotion. It ain’t the guns, it’s the guts. And it ain’t the chisel, it’s making a choice to do the right thing, even when that thing isn’t in favor.

And let’s make sure that, when he wins, he loses the shirt for the cover.

#ColbertSMA2020

 Lou Cove is the author of MAN OF THE YEAR, a memoir about his stint as ‘campaign manager’ for Playgirl Magazine's Mr. November 1978 in his bid to become Man of the Year 1979. Lou was 12 at the time.

 

Why artists are essential workers — and how we can help them

You don’t have to be a connoisseur of culture to recognize the truth behind author Toni Morrison’s maxim that it is at dire times like these when artists must go to work.

“There is no time for despair, no place for self-pity, no need for silence, no room for fear…That is how civilizations heal,” Morrison wrote.

Indeed, creatives are some of the busiest people in this moment of lockdown. They are helping us weather a prolonged storm in innumerable ways. Artists entertain and distract us, empathize with and educate us, help us reflect and commiserate and open our hearts, reconnect with beauty, process the unthinkable, remind us to smile, help us to cry, capture the essential Jewish nature of these moments.

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